椅子上有按摩棒坐下去

I started up and pinched m

椅子上有按摩棒坐下去

yself, ashamed o●f appear

椅子上有按摩棒坐下去

ing drowsy. Lo! I perce

椅子上有按摩棒坐下去

ive▓d that my friend had

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椅子上有按摩棒坐下去

met wit●h the same mishap.He too was nodding in hi▓s chair.For a moment we eyed ▓each other sheepishly, each endea▓vorin

椅子上有按摩棒坐下去

g to feign wide wakefulness.Then Meriva▓le rose and stretched himself and laughed. “●For my part I cast off the mask,?/p>

椅子上有按摩棒坐下去

?he cried. 癜I am sleepy and I am going to bed.▓ You’d better follow suit.” I● needed no urging.We retired to our ?/p>

椅子上有按摩棒坐下去

坉ormitory, and as speedily as was pra▓cticable one of us at least fell int●o an unfathomable slumber. cha●pter 13 I DON’.know how many hours afterward● I awoke.Gradually, as consci▓ousness asserted itself, I realized that s▓omebody was playing a violin in the a▓djacent room: and at length it struck● me that it must be Me

rivale practicin▓g.I pricked up my ears and hearkened.▓ Oh, yes; he was running over his part of the● last new composition we had studied.The c●lock-like tick-tack of his metrono▓

ntinued.Pret

me marked the rhythm.I lay still and l●istened till he had repeated the same phrase● some twenty times.Finally I got up and● crosse

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d the threshold that divided us. Meri▓vale kept on playing for a minute o▓r two, unaware of my intrusion.N●ot till it behooved h

yelids dropped l

im to turn the ▓page did he lift his eyes.Then, en▓countering my night-robed figure,they lighted ●up with merriment.Their owner low

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er●ed his instrument, remained silent for a mo●ment, in the end gave vent to an uproa▓rious peal of laughter. “What are you ▓l

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aughing at” I stammered. Whe▓n he had got his hilarity somew▓hat under control he replied:  癜At you.Come and gaze upon yourself.” And▓ conducting me to a mirror he said, pointing●, “There, isn’t that a funny s

▓ight” I looked sleepy, ▓that was all.My hair was awry▓, and my eyes were heavy, and my costume was a▓ trifle wrinkl

ed.Still, I suppose▓, my general

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appearance was suf▓ficiently ludicrous.Be that▓ as it may, I could not help joining in Mer▓ivale’s laughter: and, thus put into● good humor at the outset, I cheerfully compl▓ied with h

is request to hasten through my ▓toilet

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and “come and fiddle with him.” “▓Let’s start here,” he said, opening the b▓ook. We read for a while in concert●.As usual my arm seemed to swing of its se●parate will, I myself becoming all but ●comatose.B

y and by I perceived ●that Merivale had discontinued● and was seated at one side with h●is instrument upon his knees.Then

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▓I perceived that I was no longer fo

llowing the● book.I closed my e

yes and listened.As usual I▓ heard the voice of my violin very much as thou▓gh some other person had been the performer.▓ I found that I was playing a lot of ●bits from memory.I heard the light,● quick tread of a g

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avotte whic●h I had learned as a boy

and meantime almost f▓orgotten;

I heard snatches from the chants the▓ Chazzan sings in the synagogue; I he▓ard the Flower Song from Faust ▓mixing itself up with a recitative from Lo▓hengrin.Then I heard the passionate wail of● Chopin become predomi

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nant: the e●xquisite melody of the Berceuse, motives from ●Les Polonaises, and at length ▓the impromptu in C-sharp mino●r—that to which I have alluded in the early pa▓rt of this narrative, as desc●riptive of Veronik

a.Following it,▓ came the songs that Veronika● herself had been most prone to sing, Bi●zet, Pergolese, Schumann, morsels

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▓of German folk liede, old Fr▓ench

romances.And ever and ano▓n th

at phrase from the impromptu kept ●recurring.Every thing else see▓med to lead up to it.It term●inated a brilliant passage by L●iszt.It cropped out in the ●middle of a theme from the Meistersinge●r.And with its every

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new recurrenc▓e, the picture of Ver

onika which it pre sen▓ted to m

y imagination grew more life-like and ●palpable, until ere long it was almost as thou●gh I saw her standing near me in substantial ob▓jective form.As I have said, ▓I scarcely realized that it was I who play▓ed.Except

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for the sensation ●along my wrist

as the bow bit the cat●gut, I

believe I should have quite forgott▓en it.But now abruptly, without th●e least volition upon my part, my arm ac▓quired a fresh vigor.The voi▓ce of my violin increased in volum●e.The character of the music underwent a

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change▓.From a medley of fragments i●t turned to a coherent, continuous whole.No●te succeeded note in natural and inevit▓able sequence.I tried to recognize the c▓omposition.I could not.It ▓was quite unfamiliar to me.

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Odd●, because of course at some

ti▓me I must have practiced it ?/p>

馻gain and again.Otherwise how had

I been able▓ to play it now It flo

wed from the strings wit▓hout hitch

or hesitancy.Yet my best effo●rts

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to place it were ineffect▓ual.D

oubly odd, because it was no ▓ord

inary composition.It had a stri▓k

ing individuality of its own. It

began● with laughter-provoking sche

rzo, as dai▓nty as the pattering of

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April rain-drop●s, as riotous

as the frolicking of children let

▓loose from school; which, by deg

rees temperin▓g to a quieter allegr

o, presently modulated int▓o the mi

nor, and necessarily, therefore▓, b

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ecame plaintive and sentiment▓a

l.For a while bar succeeded bar, f

●itful and undetermined, as if▓

groping blindly for a climax.Next, a

quick, ●fluttering crescendo, and

an exul●tant major chord.This compl

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eted▓ the first movement.The se

cond began piani●ssimo upon the A

and E strings, an allegr▓etto fu

ll of placid contentment; again▓, a

minor modulation; again,● blind gr

oping for a climax, this▓ time more

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strenuous than before,● tinged

by a passion, impelled by an insa

●tiable desire; adagio on G and D

, sti●ll minor; then a swift return

to major, a l●eap of the bow and f

ingers back to A and E●, and on the

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se latter strings a rhap●sody e

xpressive of the utmost possible●

human joy.Third movement andante,

sober but s▓till joyous; the music

, which hitherto had bee●n restless

and destitute of an apparent a▓im,

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seemed to have caught a purpose

, to ha●ve gained substance and c

onfi▓dence in itself. It proce

▓eded in this wise for several peri

ods,▓ when sharply, without the fai

●ntest warning, it broke into a dis

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cordan●t shriek of laughter, th

e laughter▓ of a demon whose evil

designs ●had triumphed. Thoug

h I had not re●cognized the composi

tion, up to this ▓point I had under

stood it perf●ectly.Its intrinsic l

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ucidity ▓carried the intelligence along.But h●enceforward I was mystified.The reason for the ▓violent change of theme, time, and q▓uality, I could not divine; ▓nor could I appreciate, either, how ▓the subsequent effe

cts were produce▓d or w

hat they were meant to sig

nify.My imp●ression was

, as I have said, that the laughter w●hich my violin seemed t

o be echoing was d●emoniac laughter, the outburst of● a Sata

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